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![\"\"](\"http:\/\/www.robertareeder.com\/wp-content\/uploads\/2016\/11\/complete_poems.png\")
<\/a>\nThe Complete Poems of Anna Akhmatova<\/a><\/h4><\/div><\/div>\n![\"\"](\"http:\/\/www.robertareeder.com\/wp-content\/uploads\/2016\/11\/selected_poems.png\")
<\/a>\nSelected poems of Anna Akhmatova<\/a><\/h4><\/div><\/div>\n![\"\"](\"http:\/\/www.robertareeder.com\/wp-content\/uploads\/2016\/11\/poet_and_prophet_2007.png\")
<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n![\"\"](\"http:\/\/www.robertareeder.com\/wp-content\/uploads\/2016\/11\/poet_and_prophet_1994.png\")
<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n![\"\"](\"http:\/\/www.robertareeder.com\/wp-content\/uploads\/2016\/11\/russian_folk_lyrics.png\")
<\/a>\nRussian Folk Lyrics<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Indiana University Press, 1993 Propp’s essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study Propp considers the Russian folk lyric in the social and historical context in which it was produced. His extensive analysis serves as an introduction to a comprehensive anthology of Russian folk lyrics, which are divided into categories such as calendar rituals, wedding rituals, games, lullabies, love lyrics, work songs and revolutionary songs.\u00a0 Some of the lyrics presented here were imitated by or appear in the works of Russia’s major writers, such as Pushkin and Nekrasov. WhetherRead More →<\/a><\/p>\n","protected":false},"author":5,"featured_media":32,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[9],"_links":{"self":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138"}],"collection":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":0,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media\/32"}],"wp:attachment":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a>\nSelected poems of Anna Akhmatova<\/a><\/h4><\/div><\/div>\n<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n<\/a>\nRussian Folk Lyrics<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Indiana University Press, 1993 Propp’s essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study Propp considers the Russian folk lyric in the social and historical context in which it was produced. His extensive analysis serves as an introduction to a comprehensive anthology of Russian folk lyrics, which are divided into categories such as calendar rituals, wedding rituals, games, lullabies, love lyrics, work songs and revolutionary songs.\u00a0 Some of the lyrics presented here were imitated by or appear in the works of Russia’s major writers, such as Pushkin and Nekrasov. WhetherRead More →<\/a><\/p>\n","protected":false},"author":5,"featured_media":32,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[9],"_links":{"self":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138"}],"collection":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":0,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media\/32"}],"wp:attachment":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n<\/a>\nRussian Folk Lyrics<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Indiana University Press, 1993 Propp’s essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study Propp considers the Russian folk lyric in the social and historical context in which it was produced. His extensive analysis serves as an introduction to a comprehensive anthology of Russian folk lyrics, which are divided into categories such as calendar rituals, wedding rituals, games, lullabies, love lyrics, work songs and revolutionary songs.\u00a0 Some of the lyrics presented here were imitated by or appear in the works of Russia’s major writers, such as Pushkin and Nekrasov. WhetherRead More →<\/a><\/p>\n","protected":false},"author":5,"featured_media":32,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[9],"_links":{"self":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138"}],"collection":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":0,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media\/32"}],"wp:attachment":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/a>\nAnna Akhmatova: Poet and Prophet<\/a><\/h4><\/div><\/div>\n<\/a>\nRussian Folk Lyrics<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Indiana University Press, 1993 Propp’s essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study Propp considers the Russian folk lyric in the social and historical context in which it was produced. His extensive analysis serves as an introduction to a comprehensive anthology of Russian folk lyrics, which are divided into categories such as calendar rituals, wedding rituals, games, lullabies, love lyrics, work songs and revolutionary songs.\u00a0 Some of the lyrics presented here were imitated by or appear in the works of Russia’s major writers, such as Pushkin and Nekrasov. WhetherRead More →<\/a><\/p>\n","protected":false},"author":5,"featured_media":32,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[9],"_links":{"self":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138"}],"collection":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":0,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media\/32"}],"wp:attachment":[{"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.robertareeder.com\/en\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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